Today we visited VMFA.
I had decided to finish up our China study with a visit to the Chinese Galleries.
The children had already experienced the gallery online and were excited to see the pieces that had been expanding their ideas and influencing their own artwork.
When we got to the gallery, instead of starting with a talk I stood back and let the children wander in, to discover the treasures by themselves. As we had previously done so much work on the dynasties, the art forms of watercolor and porcelain the children needed no introduction. They immediately found familiar pieces and shared their excitement.
"Look, Ming!" I hear
Then, "Qing too".
"Melanie, this piece is from the 10th century - that's really old!"
"Qing, Qing, Qing, Ming, Ming, I wonder if there is anything from the Song Dynasty"
"Or Tan"
"I found the bat bowl, can I draw it?"
Leaving the visit to be a culmination had paid off. The children were able to take their knowledge and use it to observe. They had enough content to hang new ideas on, to make connections.
We then gathered together, and after a quick discussion on what they had seen the children pulled out pencils and paper and began to sketch. They sketched with such great detail and intensity. Some as close to the glass as they were allowed, some seated on the floor. All of them focused, all of them interested. I heard whispers as they shared their finds and their sketches.
"Can I take a picture, this is my favorite" said one of the yellow glass bowl.
"I love the cat, I don't know why but I just love it."
"This brush I like a giant's brush."
" See which piece I drew Melanie, the ram is awesome, will I have time to finish it?"
I noticed that not only sketches were being recorded, but information on the piece. How it was made, when it was made, the dynasty in which it was created.
Sometimes we are too quick to load up on information. By standing back, the children gathered their own information, quiet discussions went on in small groups as the children noticed similarities or made connections. They made connections to Minds in Motion and to our study of rocks. They noticed symbolism, brush strokes and poetry.
Our next stop was the ancient china gallery.
"Melanie, 1st century BC"
"I have older - 3rd century BC".
"Which is older, 1st or 3rd century BC?" (A great question!)
" I have it - 2500BC, that is 4600 years old and it is still here!" It is made of clay. I win."
"Zhou dynasty - yes!"
The interest in the ancient galleries was more to do with age than aesthetics. The children were awed by the age of the pieces. One said "But they all look so new, even though they are so old."
So why a great visit?
We came after having a lot of information.
The art styles were familiar, many of the children had made pots, experimented with watercolor or tried calligraphy.
The children had seen many of the pieces online so had something to look for.
But I do think that by standing back, by allowing discovery, kept a mystery to the pieces, a desire to look closer to find out more.The children naturally shared and learned from each other, they wanted to show me pieces, to share what they had found out, to share their awe.
Sometimes, just let the children do the talking, they know what they want to discover.
So, as we left I asked for words that came to mind,
"Epic"
"Amazing"
"Magnificent"
"Ancient" were just a few.
http://www.vmfa.state.va.us/Collections/EastAsian/
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